October 19, 2005

73urbanjourneys.com - is back (finally)!

Map_1


73urbanjourneys.com is back and is bigger than before. Everything has been tweaked; the navigation, the design, some sections have grown and some are brand new. Fieldnotes features visual essays, observations and interview excerpts. The 73 bus is now full of 73, 73 word stories (more or less). Experiments includes the plethora of things I have been making in an attempt to make sense of data; paper folds, bus boxes, bus cards, postcards, movement sketches etc. The reading list in sociological imagination has been updated and there will soon be an analysis section in there. There are more photos, more writing and more links to interesting projects and papers.
Phew... hard work!
Any comments on what works and what doesn't, what's missing or what should be added are very much appreciated.

October 18, 2005

AoIR 2005.

Img_0011_1

I have just returned from a week in Chicago, where I attended and presented a paper at AoIR 6.0 [the Association of Internet researchers]. Its theme this year was Internet Generations, which like most conference themes was deliberately broad and encouraging of all manner of papers. There were, as usual, an abundance of quantitative researchers who embrace the challenge of documenting who, how many, where and how often people use the internet, blogs and technological tools in numeric form. Whilst I find some of their theories, debates and kaleidoscopic diagrams interesting there is still a significant gulf between their concerns and mine. As Kris noted in his thoughts on AoIR 2004, there is sometimes surprisingly little common ground between papers of similar topics, such as blogging. This is not a complaint. It is actually very useful in contextualising my work. I am still chewing over how to make sense of these types of juxtapositions in my work. For instance I was placed in a session called Visuals: Photoblogs and Visual Communication, in which the papers could not have contrasted more. They were not at all what I expected to enage with. One explored photoblogging as a new computerization movement whilst the other looked at socio-communicative orientation of student use of blogs. Both talked in terms of text and numbers and presented ideas in large scale graphs whilst I told stories and used images to describe my work. I am still chewing over how to make sense of these differences in terms of how I see my work and how to frame it in similar circumstances in the future.

 I gave a paper about my bus research in which I looked at ways of seeing and researching with and through a blog; how the blog influences the research process and how my research influences the development of the blog. I talked about my experience of using a blog to gather, analyse and present data, about story telling (mine and other peoples via the 73 story blog), about managing multi-facted roles (how to cope with simultaneously being technical, a designer, blogger and researcher) and dealing with the transparency of an online process (how the act of blogging reveals the messy, awkward and ill-fitting fragments of research that are often cleaned and smoothed out in more formal research accounts).

It was an exhasuting three and a half days, but I found the conference very useful in terms of how my area of research is being framed by different disciplines. It provided a supportive environment for networking and I found myself in much discussion after and around talks which was as valuable as the talks themselves (and sometimes more due to their brevity). Of particular interest to me was Lilia Efimova's paper on Not Documenting, Doing: Blogging as Research,  Sonia Livingstone's keynote Youthful Experts? A Critical Appraisal of Children and Young People's Emerging Internet Literacy, and in terms of my Phd research, Alison Powell's The Politics of Visibilty; Wireless Internet Signals and Control of Urban Space.

Oh, and chicago was incredible. I was there just long enough to start planning ways and means to return.

October 17, 2005

sentimentality and the bus.

Bus_1 The routemaster is celebrated in a new book - The Bus We Loved - by Travis Elborough.


Iain Sinclair reviews it in The Guardian

He writes:

"Travis Elborough's The Bus We Loved is an honourable candidate for a slot near the cash register. Here is a jaunty but thorough history of the much-loved (and very dead) Routemaster bus. Elborough, a former bookseller, understands the pitch: just enough technical detail, anecdote and cultural reference (Cliff Richard and On the Buses). His prose trots at a brisk pace. (Bite-sized chapters fit the stations of your morning commute.) The Bus We Loved is an attractive object, designed with the same care Douglas Scott lavished on the Routemaster. A monochrome photograph from London's transport mus-eum has been adapted for the cover, computer-generated colour emphasising the Routemaster's friendly nursery shape, the anthropomorphic grin of its Grecian logo. All the book needs is a set of detachable plastic wheels."

"There is something seductive in top-deck travel, that old stagecoach experience without the full-on weather. The single-decker bendy bus will never capture our hearts, despite its laudable attempt to revive free transport. It's like surfing an avalanche, hanging on while the street moves away from you. This Mercedes version of a mutated centipede is concertina-bellied; everybody stands, everybody trembles. Ticket inspectors won't go near the things. So we sentimentalise the Routemaster, varnished into Kodak colour, as a scarlet memory from the grey postwar decade. There is a postcard, retrieved from the archives, in Elborough's book. Mounted Guardsmen clipclop around Marble Arch - while a regiment of stately double-deckers completes the circle. An international hotel rises, like a Routemaster stood on its head, in the background."

 

September 13, 2005

body knowledge.

I am now a cyclist. Yup. I’ve got a bike, a helmet, two lights, two locks, a trouser protecting band thing, cycle maps, a type pump and little puncture repair kit. And last night I experienced for the first time what it feels like to share the road with a bus. I’ve driven before, hired cars to escape the city, but that is usually early in the morning or late at night and I usually deliberately avoid main bus routes. I’ve walked a lot and caught taxi's but cycling is fundamentally different. It’s an entirely new physical language, a bodily knowledge, a visual feeling, a sensory intelligence. All of which I sense is neither instinctive nor natural for me.

Last night I felt intimately part of a mobile technology. It was my first taste of co-existence on the road: me as vehicle rather than me as pedestrian or passenger. I rode it through the dark streets after picking it up from a friend who attempted gallantly to fill the deep chasm that we both discovered should have contained some urban bike knowledge – thanks Kris. On the trip home I had numerous bus encounters – in particularly the No.73 bendy and the No.38 Routemaster. Both provided extraordinarily different co-located experiences. I found myself behind them, riding around, in front of them and once in between them (though I got out of that position pretty quickly).

I have spoken to cyclists before and watched then manoeuvre around stopping-and-starting buses but I had never personally shared the road so intimately with the large, grunting monsters. Curiously because of the open platform of the No.38, I watched the people inside the bus watching me. They watched me pass and get passed. I watched them board and disembark. We stared at each other at the lights. They no doubt swore when I held up the bus on smaller sections of the street. In a way, because I could imagine their reactions, I felt more socially responsible to them. I also felt the heat of the bus even in the warm dusky evening and I found I didn’t need to keep it in vision to sense its movements. I was able to rely instead on the rythmic engine rumbles and squealing brakes. The RM, is of course, a legendary element of the sonic street space. In comparison the movement of the bendy, the slithering action of the back section was very difficult to anticipate. Not knowing where it might be, took all my concentration. And since I couldn’t rely on my ears to sense its movements, I found I had to focus on the material mechanisms - the bendy bit, the back wheels and general visual feeling of the bus  - and much less on the social space within it.

Overall it was incredible. And frightening. And exhilarating. And pretty damn cool to make it home quicker than the bus.

Kris suggests, since it has been years since I have ridden and never in this country, that I document my body knowledge now at this raw stage and again later when it slides into mundane everydayness. It’s an interesting idea - life as ethnography and all that. I have to say right now, nothing is mundane or everyday about cycling. The body position, the seat, the peddles, the locks, gears, road rules, hell, even the arm-out indicating thing nearly sent me hurtling into another cyclist at one narrow point – I yelled a very uncool “sorry” as we both veered off. So it is exciting to feel the edges of a new world of knowledge (given I am in the first year my Phd I think it is also comforting to personally hear the enthusiasm in this statement). I also know I should attend one of those bike training classes….

Nb: this does not mean I no longer catch the bus. The bus blog will continue – I will just have more and different perspectives from which to blog (hopefully none of which will be from hospital).

September 09, 2005

bike film festival.

Bike_festival

I'm sorry I missed this festival - 1-3 September at the Cochrane Theatre - not only because it sounds great, it's about public transport but I am also soon, possibly, hopefully going to get a bike (my first in London)..... fingers crossed.

Matt Seaton reviews it in the Guardian and is particularly taken with this one...

In a four-minute movie, Casey Neistat (half of multimedia artist duo the Neistat brothers, best known for their "iPod's Dirty Secret" campaign) steals his own bike four times from streets in New York. Hilariously, he even uses an angle-grinder to cut the lock without his seemingly nefarious activity provoking the slightest interest from passersby.

Maybe there should be a bus film festival or is there already?

September 03, 2005

overheard.

Overheard: on the bus
Mobile phone: male voice
Journey: Stoke Newington to Kings Cross
Time: 17.15

I was so drunk this morning.
[laughs] ....and I had to teach at 11.30
I got up at 10 and called in. Then I went back to bed till 11.
Did you have a good time last night?
Hey.... remember that second place we went to...and that girl that was with them.
Find out about her.
Can you?
Yeah, really nice. She was quite fit actually.
I have no idea what I said to her. I actually have no recollection.
Me? I just left the hospital.
I'm on the bus.
Yeah.... going home.
Are you in on the weekend?
I'll probably see you out Sunday.

 

September 02, 2005

digital buses.

TFL and Viacom Advertising have reached an agreement whereby buses will be emblazoned with digital advertising screens - Guardian article. Not only will the buses be covered in a concourse of moving, digital, flashing phantasmagoria, but these messages will also change depending the location of the bus.

In typical fashion the article marries familiar technological anxieties and concerns with the utopian hyperbole that underpins intersections of digital space in physical place. At one point the journalist references the 'futuristic' advertising in Spielberg’s Minority Report which disturbingly tailored messages to passing individuals, whilst the rest of the article extols the impact and effectiveness of the technological innovation on the urban environment. Overall the tone of the piece is positive and supportive of the new advertising medium.

The best bit of the article, for me, comes in the form of Viacom's response to TFL's fears about the potential of the flashing screens distracting drivers and causing traffic chaos...

The screens - half the size of full-length bus posters - will only appear on the side closest to the kerb, exposing them to the maximum number of pedestrians but the minimum number of car drivers.

Yet the article concludes with....

The company is particularly pleased with the impact that the screens have at night. "It will look great, you won't be able to miss it."

So does that mean it will be distracting or not?

August 15, 2005

making things.

Buscardsfront


Buscardscu


Buscards

Some rough mock ups of an idea I have been thinking on for ages (like about 2 years). It derives from the bus stories blog which gathered 73 word stories (more or less) about the No.73 bus. I placed these stories on the seats of the bus where people said they were sitting (generally) and now the bus is full (over full actually as some stories are standing...). So I'm working up a set of cards - 73 in total - consisting of an upper deck and a lower deck and there are four suites of images on the reverse side - inside the bus, outside the bus, in the bus garage and textures of travel.

I'll post more and better pictures as I tighten up the design (and clean the camera lens!). I'll also be putting them onto the (new and improved) 73urbanjourneys website which is still offline at present - soon, soon.....


August 05, 2005

help.

Travelling back from the IVSA conference last night I caught a 205 from Paddington. A woman in front of me tried to use a £5 note to buy a ticket from the driver causing a general pile up at the door. He was nice but having none of it and she frantically dug in her bag for change. The driver closed the doors and started off regardless, making her search even harder as she struggled to stand upright. Realising she had none, she turned to the interior of the bus and asked if anyone could help. A woman seated near me, a man behind and I all said yes and we then started a search through pockets and bags for change. It was almost a competition to help. The woman near me won, producing change for a fiver. It was nice to be part of a rush to help when I had just been reading this story in the paper about the man who was attacked last Friday on a busy 43 and very few people tried to help. I know this is a very different scenario and can't really be compared but it was still a positive social experience to be part of.

If I was only a bit quicker (perhaps carrying less luggage would have helped) I would now have a reason to wear this badge Badgehelpfrom Lucy Kimbell's Pindices project


rather than this one Badgenothing_2

I think there should be a badge somewhere in between that says something like - "I tried to help but someone beat me to it"


July 27, 2005

73urbanjourneys website - on hold

My bus website - 73urbanjourneys.com - is currently between hosts. Which means it's kinda nowhere. We are busy hatching all sorts of new hosting plans for the INCITE website and blog which I hope to tag onto. So once that is all done it'll be back, soon, hopefully.

My Photo

August 2006

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